Show 577: Radio 0-3-0 (reboot.fm)

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By Emeka Ogboh for reboot.fm

RADIO 0-3-0 combines a vast array of recorded audio materials such as news reports, interviews and music into a radio program, which examines the refugees’ situation in Berlin. He thus inquires how the city as such is reacting to the situation. The sound installation RADIO 0-3-0 invited the visitors to stay and listen during a local mini-fm broadcast at the Gorki Theatre in Berlin as part of the Herbstsalon in October, 2015. This radia.fm compilation is extracted from over ten hours of radio material.

EMEKA OGBOH, lives and works in Berlin. His works have been presented in the Museum of Contemporary Art Kiasma, Helsinki (2011), DAK‘ART 2014, Dakar (2014), in the Louisiana Museum of Modern Art, Humlebæk (2015), and the 56. Biennale di Venzia (2015).

Artistic assistant: Daniela Sellen
Programming Radio: Pit Schultz
radia.fm edit with Diana McCarty

Special Thanks to: Alpha, Deutschlandradio, Ditte Haarlov Johnsen, Carrie Hampel, Hla Al Hourani, Muhammed Lamin Jadama, REM TV Produktion, Reboot FM, Refugee ClubImpulse, Refugees Revolution Band, REM TV, Schaubühne Berlin, Sissi FM –feministisches Stadtmagazin „We never speak the truth!“, Sudan Papol Music (SPM), The Voice, Voice Refugee Forum and Die Karawane. Alpha, Deutschlandradio, Ditte Haarlov Johnsen, Carrie Hampel, Hla Al Hourani, Yango González, Andrea Gordillo, Muhammed Lamin Jadama, René Kaur, Lola Lustosa, REM TV Produktion, Reboot FM, Refugee Club Impulse, Refugees Revolution Band, REM TV,Schaubühne Berlin, Sissi FM – feministisches Stadtmagazin „We never speak the truth!“, Sudan Papol Music (SPM), The Voice, Voice Refugee Forum and Die Karawane.

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Show 576: Lala Raščić: Evil Earth’s Notebook (Radio Student)

mountain square Evil Earth’s Notebook is the spoken word segment of the project Evil Earth, realized by visual artist Lala Rascic during her residency in Ljubljana at the Cultural Center Tobacna and her collaboration with Radio Student.

In Evil Earth’s Notebook one hears Rascic read quotes, notes, loose associations, and custom-software generated text in the hypnotic-poetic  verbal performance exploring the notions of landscape, mountains, new optics, vertical imaging and remote perspective.

Evil Earth is a project dealing with the representation of landscape under contemporary conditions of visuality. As Marjorie Hope Nicholson outlines in Mountain Gloom, Mountain Glory, the shift in mountain attitudes in writings of the English poets of the seventeenth, eighteenth, and nineteenth centuries came about due to advances in science and technology, Evil Earth explores the cognitive shift happening today. The basic question asked is how does our perception and understanding of nature, earth and our environment change under the influence of contemporary consumer modes of visualization and screen technologies?

https://lalarascic.com/

Continue reading

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Show 575: Remote Viewing IV from Crazed and Max Goldfarb (Wave Farm / WGXC)

‘Remote Viewing’ is a slide program, developed for radio: The articulation of Maximilian Goldfarb’s text is accompanied by improvised sounds, performed by Crazed, which is the electronic sound outfit of Jack Schoonover and Maximillian Hamel. As a visual archive escaping traditional representation, we perform excerpts from a text that conveys a hallucinatory urbanism, interconnected anatomies, and the mechanics of everyday apparitions.
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Show 574: Travel Sounds (TEA FM)

banner Radia 574Cuando viajas, un mundo de sonidos, ambientes y voces crece y evoluciona a tu alrededor. Es un buen ejercicio prestar atención a ese universo sonoro para descubrir aquellos detalles escindidos tras una voz de niño, una llamada de aviso o un motor lejano.

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When you make a journey, a world of sounds, voices environments grows and evolves around you. It is a good exercise to pay attention to the sound universe around you to discover those details split after a child’s voice, a call warning or a distant motor.
A sound work from Chuse Fernandez with sound captures from Aragon, Spain and Colombia.
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Show 573: Other (Radio Panik)

Others
Librement inspiré de “Huis Clos” de Jean-Paul Sartre, cette création
radiophonique est animée par trois personnages principaux : deux
femmes et un son (la voix de Sartre inclue). Ces trois là échangent,
se rencontrent puis se détestent… Laissant place à la coalition ou à
sa dissolution. Il s’agit d’aborder cette manière dont l’autre nous
forme par son regard… et comment l’on souhaite alors manier ses yeux
qui nous forment. Et puis finalement abandonner… s’abandonner.

Ou peut-être que cette pièce aborde une autre triangulation celle de
deux langages cherchant à dessiner un code commun.

Entre le bruit et le silence, tracer un chemin vers la compréhension.
Ou alors il s’agit peut-être simplement de vous et de votre autre vous
Ou alors il s’agit peut-être de moi et de mon autre moi ….

Une réalisation d’Anne Lepère
Avec Lenka Luptakova
Mars 2016
Durée : 24’10

Carte Blanche : Radio Panik for Radia
Merci à Guillaume Abgrall, Leslie Doumerc, Pierre De JaegerOthers 2016

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Show 572: Jacovitti & The Salami (Radio Klangendum/Worm)

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There is comic writer Benito’s Javovitti’s underestimated promotion of the Salami AN SICH, as a concept, as a weapon, as an ideology. And there is a growing scene of Salami awareness around the world… An underground cult that is still under the radar but will inevitably find world domination -or at least some form of tax evasion.

So with the spicy taste still in his mouth, Dr Klangendum went and looked for some entities that could explain him the basics of Salamiism.

Italian Salamist; Stefano Giannotti

Scottish Salami Scientist; Jim Whelton

One Bad Word Could Lead You To Hellfire; Sheikh Mansur Al-Salami

Research; Silvia Scaglioni

Text; LG Simonis, J Whelton

Idea, music, editing; Dr Klangendum 2

special thanks to Noodle Bar for Noodle Machine’s first assignment.

more special thanks; FVP

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Show 571: Taxonomy of sonorous order (Radio Orange 94.0)

Foto: Dagmar Brunow

Photo: Dagmar Brunow

Categorising, tagging, assigning and conducting research as a creative process. Where do art and order come together? How do artists use archives or archived material? Does the digital card index therefore need a digital artist? How can digital archives be handled artistically? What are the interests of community radio stations? What is the infrastructure like? Lale Rodgarkia-Dara and Karl Schönswetter want to use a live (radio) performance to transform material from archives and on-site recordings into a live feedback transmission and thereby establish a seamless transition between a reticent lecture and an in-your-face live show. What happens if the public annotates the transmission and creates a new work of art out of the archive molasses? An acoustic overwriting of a long day of busy conferencing mixed with archive material from the conference participants. Well, now we know.

Lale Rodgarkia-Dara and Karl Schönswetter from Vienna used an analog catalogue of the Cultural Broadcasting Archive and Live-Recordings from the conference “Radio Archives in European Community Media” to activate free radio archives.
“Taxonomy of sonorous order” was recorded 6th june 2015 in Halle.
Twitter-Feed of Live-Performance-Feedback-Looping here: #c4ptch4

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Show 570: Come to Halle! (Radio Corax)

From 1st to 30th of October 2016 a great celebration of radio art will take place in Halle an der Saale in Germany: The Radio Revolten Festival. This Radia show is an invitation to visit Halle this autumn. A 20 minute performance by Radio Revolten curators Knut Aufermann, Anna Friz, Sarah Washington and Ralf Wendt, recorded for Arts Birthday in Vienna last January hopefully provides enough time to start researching your travel options. Come and join us in Halle!

This might be the Radio Revolten logo, or it might not...

This might be the Radio Revolten logo, or it might not…

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Show 569: Unintentional Autobiography By Michael McLaren

I raced around my attic quarters, scavenging a textbook, an old high school essay, a favourite story.
An autobiographical work told through readings chosen both with and without intent.
The dice serve a dual purpose. As a composing utility, the uncertainty of dice and related methods beings me joy unparalleled. As for the product, it is the better for being in some small way freed from my own limited vision.
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Show 568: Back Again by Laura Morris ( Campus Paris)

Morris Radia image

The search for something new encompasses the search for a new you. Why travel? To see new places? Or for the chance to be or become someone else? Who are you in a new, anonymous crowd?

But the further we go, the longer we stay, the closer we are to something essential, the same rope of reactions, the same anchor of thoughts.

In the piece certain sounds return again and again, sometimes altered, but ultimately the same.

These recordings come from three weeks spent mostly on trains in the Balkan countries (Bosnia, Servia, Croatia, as well as Hungary, Slovenia, and Austria). The recordings are presented in a mostly chronological order.

Laura Morris is sometimes a painter, always a New Yorker, and certainly a radio producer living and working in Paris.

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