ProgrammesArchive

Broadcast period: January 28th - February 3rd, 2007

Claudia Wegener asks passers-by in the city of Johannesburg to read sentences from Nelson Mandela's biography ‘Long Walk to Freedom’ (the abridged edition!) but translated on the spot into their own mother tongue. With eleven official languages in South Africa alone, the outcome is a poly-lingual collage.
This show for radia was prepared as an ‘in vitro’ experiment for a taxi-choreographic acoustic spectacle, a chorus dance of Joburg’s ‘black taxis’ in Mandela Square (Sandton) and Freedom Square (Kliptown).

The Devil and Mr. O - Revolt of the Worms

A classic of American broadcasting with reknown sound effects for horrific programs! Oboler lost no time establishing himself as the new master of the macabre after taking over Cooper's Lights Out series. Between May 1936 and July 1938, he wrote and directed more than 100 Lights Out plays. To follow Cooper was a challenge: he was "the unsung pioneer of radio dramatic techniques," but Oboler had passed the test with his first play. His own name soon became synonymous with murder and gore, though horror as a genre had always left him cold. Oboler aspired to more serious writing.

Oboler's shows are well represented -- this series of Lights Out was syndicated in The Devil and Mr. O offerings of 1970 - 73. A transcribed syndication of original broadcasts from 1942 - 43 with Arch Oboler as the host.

More info at:
http://www.archive.org/details/OTRR_The_Devil_And_Mr_O_Singles

http://www.archive.org/downloadOTRR_The_Devil_And_Mr_O_SinglesThe_Devil_and_Mr_O__71-10-01_03_Revolt_Of_The_Worms.mp3

Accents perdus (lost accents) by Damien Magnette

This sound piece is exclusively made from recording voices of seven people coming from countries participating to the radia project. This sound piece is exclusively made from recording voices of seven people coming from countries participating to the radia project (german, french, english, hungarian, romanian, bulgarian, portuguese). I try to use their diferent accents as musical base to compose.
If you have any remarks, critics, thoughs of any sort about this piece, I would be glade to read it:
daminoupolka_AT_hotmail_DOT_com